Modern Series Episode 114:
Time Heist
The Doctor and Clara awaken to find themselves in a room with a
shapeshifter named Saibra and a hacker called Psi. Their short-term
memories have been wiped, and they know only that they have been
assembled by a mysterious Architect to break into the intergalactic Bank
of Karabraxos. Despite having little understanding of their goal, they
agree to work together to confront the Bank's sophisticated and deadly
anti-intrusion measures. The most formidable of all is the Teller, a
creature controlled by the icy head of security, Ms Delphox. It has the
power to sense the guilty -- and liquefy their brains.
Long before he began planning Doctor Who's thirty-fourth season,
executive producer Steven Moffat had considered the possibility of an
adventure which combined time travel with a heist scenario. Originally
popularised in the middle of the twentieth century, the caper genre had
enjoyed a resurgence in recent years spurred by updated versions of the
original classics, such as Ocean's 11 (1960; remade in 2001) and
The Italian Job (1969; remade in 2003). Having struggled to flesh
out a detailed approach to the story, in 2013 Moffat asked Steve
Thompson to develop a storyline in which the Doctor and Clara helped rob
an extraterrestrial bank. Thompson had recently written Season
Thirty-Three's Journey To The Centre Of The
TARDIS, and he had demonstrated his skill with complex,
puzzle-box plots while working with Moffat on the mystery series
Sherlock.
Thompson knew that a heist narrative would invite comparisons to some of
the most popular examples of the genre. As such, he tried to anticipate
the plot expectations that would accompany such a narrative, including
having the Doctor and Clara form part of a team of operatives. One of
their accomplices would be a master of disguise, while another would
reflect the trend in modern caper films of featuring a character who was
a technological savant. Meanwhile, Ms Delphox was inspired by Zachary
Garber, the police lieutenant played by Walter Matthau in 1974's The
Taking Of Pelham One Two Three, who matched wits with a team of
criminals holding the passengers hostage aboard a train car.
The story began with the Doctor and his team dropped onto
the bank from a space shuttle
By late November, the adventure was called Time Heist. At this
stage, the shapeshifter's name was spelt Sabra rather than Saibra, and
she gained her abilities by virtue of being half-Zygon. The Teller was
confined to a wheelchair, and was more insectoid in appearance. The bank
was known as Fortuna-Vega; its director was Victor Karabraxos III, and
the notion of Ms Delphox being a clone had not yet been introduced. The
story did not begin with the Doctor and his team already at the bank,
but instead saw them dropped onto the premises from a space shuttle on
autopilot. A key plot point was then Clara's loss of the communicator
via which the Architect was meant to deliver his instructions, forcing
the Doctor to extrapolate the scheme based on the briefcases which the
Architect had planted for them to find.
As Time Heist was refined in late 2013 and early 2014, various
notions were incorporated and then discarded. In one draft, the script
opened with vignettes which introduced Saibra and Psi and their
respective talents. With the Zygon aspect of Saibra's background having
been dropped, she was briefly the result of a laboratory experiment
before becoming a mutant. At one point, Clara was to use thoughts of her
boyfriend, Danny Pink, as a defence against the Teller. With Moffat
having made significant contributions to both the story's premise and
the final form of the script, it was agreed that he and Thompson would
share the writing credit; this would now become an increasingly common
practice to recognise Moffat's involvement in the writing process.
Although Time Heist was intended to be the fifth story broadcast
during Season Thirty-Four, it was amongst the second pair of episodes to
go before the cameras. As part of Block Two, it would join Listen under director Douglas Mackinnon.
Production began on March 3rd, when scenes on the bank floor were staged
at Roath Lock Studios in Cardiff. The Teller costume made its debut on
this day; worn by actor Ross Mullan, it most prominently featured two
tentacular eyes which were realised as a remote-controlled prosthetic.
The 4th saw TARDIS material taped at Roath Lock, alongside the phone
call made by the aged Director Karabraxos and crowd multiplication shots
on the bank floor. The chief location for Time Heist was an
unoccupied factory in Bridgend which had previously housed Kimball
Electronics. Sequences in the basement were taped there on March 5th,
followed by those in the cells holding the Teller's victims and various
corridors on the 6th. Work in the vault and the adjoining hallway began
on March 7th, while the Doctor left the briefcase at the security
doors.
After the weekend, it was back to the Kimball Electronics factory from
March 10th to 12th. In addition to more corridor scenes, Mackinnon shot
material in the vault on the first day, in Ms Delphox's office on the
middle day, and in the Teller's lair on the last day. Work on the 13th
began at the Oval Basin Events Arena in Cardiff Bay, where the bar
provided the venue for the flashbacks of the Doctor meeting Saibra, Psi
and Porrima. Cast and crew then relocated to the nearby Roald Dahl Plass
for the scene outside the bank with Saibra disguised as Porrima. The
latter part of the day was spent on the set for Ms Karabraxos' private
office, erected at Roath Lock; this work continued to March 14th.
Another weekend off preceded a studio day on March 17th. It concentrated
on sequences in the safety deposit booth, alongside Psi's farewell on
the TARDIS set. Work on the 18th began at Cardiff University's Hadyn
Ellis Medical Research Facility, which offered space suitable for the
security screening area. The planet which would become the new home for
the Teller and its mate was then created with the help of green screens
at nearby Bute Park. Scenes in Clara's apartment were taped at Roath
Lock on March 19th. Principal photography on Time Heist concluded
on the 21st, when material in the service level was recorded at the
Uskmouth Power Station in Newport. A small amount of material remained
outstanding, and was completed at Roath Lock. The footage of the Doctor
masquerading as the Architect was filmed on March 24th alongside further
TARDIS sequences and various inserts, while an additional pick-up shot
of a briefcase was captured on May 6th.
Psi's compilation of thieves and villains included numerous references
to Doctor Who's history. Amongst the hoodlums were a Sensorite
(from 1964's The Sensorites), an Ice Warrior
(introduced in 1967's The Ice Warriors), a
Terileptil (from 1982's The Visitation), a
Slitheen (introduced in 2005's Aliens Of
London / World War Three), and Kahler-Tek (a cyborg from
2012's A Town Called Mercy). Four of the
images hailed from Doctor Who spin-off series: a Weevil
(introduced in Everything
Changes, the 2006 premiere episode of Torchwood), the
Trickster (introduced in Whatever
Happened To Sarah Jane?, a 2007 episode of The Sarah Jane
Adventures), Captain John Hart (a rogue Time Agent introduced in the
2008 Torchwood episode Kiss
Kiss, Bang Bang), and Androvax the Veil (introduced in Prisoner Of The Judoon, a
2009 episode of The Sarah Jane Adventures). Most obscure was
Abslom Daak, Dalek Killer. He had never before appeared on television,
but had been a recurring character in various Doctor Who spin-off
media since 1980, starting with comic strips in Doctor Who
Weekly.
Doctor Who was again allocated a fifty-minute timeslot for the
broadcast of Time Heist on September 20th. With Tumble
having ended its season the week before, Pointless Celebrities
served as the lead-in for the Karabraxos caper.
- The Doctor Who Companion -- The Twelfth Doctor: Volume Two,
October 2019, “Time Heist” by Andrew Pixley, Panini UK
Ltd.
- Doctor Who: The Complete History #77, 2016, “Story 246:
Time Heist”, edited by Mark Wright, Hachette Partworks Ltd.
|
|
Original Transmission
|
|
Date |
20th Sep 2014 |
Time |
7.33pm |
Duration |
45'21" |
· BBC1/HD |
7.0m |
Appreciation |
84% |
Cast
The Doctor |
Peter Capaldi (bio) |
Clara |
Jenna Coleman (bio) |
Ms Delphox |
Keeley Hawes |
Psi |
Jonathan Bailey |
Saibra |
Pippa Bennett-Warner |
Guard |
Mark Ebulue |
Mr Porrima |
Trevor Sellers |
Suited Customer |
Junior Laniyan |
The Teller |
Ross Mullan |
Crew
Written by |
Steve Thompson (bio) & |
Steven Moffat (bio) |
Directed by |
Douglas Mackinnon (bio) |
|
Producer |
Peter Bennett |
Stunt Coordinators |
Crispin Layfield |
Gordon Seed |
1st Assistant Director |
Scott Bates |
2nd Assistant Director |
James DeHaviland |
3rd Assistant Director |
Danielle Richards |
Assistant Directors |
Gareth Jones |
Chris Thomas |
Location Manager |
Paul Davies |
Unit Manager |
Iestyn Hampson-Jones |
Production Manager |
Simon Morris |
Production Coordinator |
Adam Knopf |
Assistant Production Coordinator |
Sandra Cosfeld |
Production Assistants |
Matthew Jones |
Katie Player |
Assistant Accountant |
Bethan Griffiths |
Art Department Accountants |
Simon Wheeler |
Maria Hurley |
Script Supervisor |
Steve Walker |
Script Editors |
David P Davis |
Richard Cookson |
Camera Operator |
Martin Stephens |
Focus Pullers |
Jonathan Vidgen |
Matthew Waving |
Grip |
John Robinson |
Camera Assistants |
Cai Thompson |
Katy Kardasz |
Gethin Williams |
Assistant Grip |
Sean Cronin |
Sound Maintenance Engineers |
Tam Shoring |
Christopher Goding |
Gaffer |
Mark Hutchings |
Best Boy |
Stephen Slocombe |
Electricians |
Gafin Riley |
Andy Gardiner |
Bob Milton |
Gareth Sheldon |
Supervising Art Director |
Paul Spriggs |
Art Director |
Vicki Stevenson |
Stand by Art Director |
Jim McCallum |
Set Decorator |
Adrian Anscombe |
Production Buyer |
Holly Thurman |
Prop Buyers |
Donna Shakesheff |
Helen O'Leary |
Draughtspersons |
Kartik Nagar |
Julia Jones |
Prop Master |
Paul Smith |
Props Chargehand |
Kyle Belmont |
Standby Props |
Liam Collins |
Matt Ireland |
Set Dressers |
Jayne Davies |
Mike Elkins |
Jamie Farrell |
Storeman |
Jamie Southcott |
Assistant Storeman |
Ryan Milton |
Concept Artist |
Chris Lees |
Graphic Artist |
Christina Tom |
Standby Carpenter |
Paul Jones |
Standby Rigger |
Bryan Griffiths |
Practical Electrician |
Christian Davies |
Props Makers |
Alan Hardy |
Jamie Thomas |
Props Driver |
Gareth Fox |
Construction Manager |
Terry Horle |
Construction Chargehand |
Dean Tucker |
Carpenters |
John Sinnott |
Chris Daniels |
Lawrie Ferry |
Matt Ferry |
Julian Tucker |
Mark Painter |
Joe Painter |
Tim Burke |
Head Scenic Artist |
Clive Clarke |
Scenic Painters |
Steve Nelms |
Matt Weston |
Construction Driver |
Jonathan Tylke |
Costume Supervisor |
Claire Lynch |
Costume Assistants |
Katarina Cappellazzi |
Gemma Evans |
Charlotte Bestwick |
Make-up Supervisor |
Amy Riley |
Make-up Artists |
Ann Marie Williams |
Emma Cowen |
Unit Medic |
Glyn Evans |
Casting Associate |
Alice Purser |
Assistant Editors |
Katrina Aust |
Carmen Sanchez Roberts |
VFX Editor |
Joel Skinner |
Post Production Coordinator |
Samantha Price |
Dubbing Mixer |
Tim Ricketts |
ADR Editor |
Matthew Cox |
Dialogue Editor |
Darran Clement |
Effects Editor |
Harry Barnes |
Foley Editor |
Jamie Talbutt |
Graphics |
BBC Wales Graphics |
Title Concept |
Billy Hanshaw |
Online Editor |
Geraint Pari Huws |
Colourist |
Gareth Spensley |
With Thanks to |
the BBC National Orchestra of Wales |
Conducted & Orchestrated by |
Ben Foster |
Mixed by |
Jake Jackson |
Recorded by |
Gerry O'Riordan |
Original Theme Music |
Ron Grainer |
Casting Director |
Andy Pryor CDG |
Production Executive |
Julie Scott |
Post Production Supervisor |
Nerys Davies |
Production Accountant |
Jeff Dunn |
Sound Recordist |
Deian Llŷr Humphreys |
Costume Designer |
Howard Burden |
Make-up Designer |
Claire Pritchard-Jones |
Music |
Murray Gold |
Visual Effects |
Milk |
BBC Wales VFX |
Special Effects |
Real SFX |
Prosthetics |
Millennium FX |
Editor |
Selina MacArthur |
Production Designer |
Michael Pickwoad |
Director of Photography |
Suzie Lavelle |
Line Producer |
Tracie Simpson |
Executive Producers |
Steven Moffat (bio) |
Brian Minchin |
|