Serial C · Classic Series
Episodes 12 & 13:
Inside The Spaceship
(aka The Edge Of Destruction,
Beyond The Sun)
Something is very wrong with the TARDIS. After an explosion knocks
everyone unconscious, its four occupants awaken to find the time
machine malfunctioning in strange ways. The doors open to reveal a white
void, clock faces melt, and the scanner screen displays a baffling
series of images. To make matters worse, those aboard behave in an
increasingly erratic, paranoid and even violent manner. Has some strange
force invaded the TARDIS, or is one of the time travellers actually
sabotaging the Ship? As hysteria mounts and the seconds slip away, they
find themselves on the brink of disaster.
Doctor Who was nearly cancelled before it even began. In late
October 1963, BBC Chief of Programmes Donald Baverstock had effectively
indicated that he would not allow the show to proceed beyond its initial
four-part serial, due to perceived cost overruns. Head of Drama Sydney
Newman and Head of Serials Donald Wilson -- two of the chief architects of
Doctor Who -- intervened and managed to assuage Baverstock's
concerns. The result was that Baverstock agreed to authorise the
production of the first thirteen Doctor Who episodes.
At this stage, the first three serials were intended to be Anthony
Coburn's 100,000 BC (four parts), Terry
Nation's The Daleks (seven parts) and John
Lucarotti's Marco Polo (also seven parts).
Because the thirteen-episode order would only take the series up to the
second installment of Lucarotti's story, it was agreed that a new
two-part adventure should be developed which would be inserted between
The Daleks and Marco
Polo. Story editor David Whitaker agreed to tackle these scripts
over the course of a weekend. On November 1st, the result, known as
Inside The Spaceship, was officially added to the schedule. (Some
references cite “Beyond The Sun” as an alternative title for
this story, but this was actually a working title for The Daleks. The confusion arose when a
mid-Seventies BBC Enterprises document used the incorrect title.)
The first three serials would exploit each of the settings
envisaged for Doctor Who: past, future and
“sideways”
Due to concerns about a story editor commissioning himself, Whitaker
agreed that he would be credited only as the author of Inside The
Spaceship. He was not formally commissioned until several months
later, on February 10th, 1964. As the basis of his adventure, Whitaker
turned to an idea he had mooted during July 1963, of a narrative set
exclusively inside the TARDIS which would serve as a showcase for both
the Ship and its passengers. Moreover, it would enable the serial to be
produced very cheaply, further allaying concerns about Doctor
Who's budget. As an added bonus, this would allow the first three
serials to exploit the three types of setting originally envisaged for
the programme: past, future and “sideways”.
The director originally assigned to Inside The Spaceship was Paddy
Russell, who ultimately proved unavailable; she would later direct
several Doctor Who stories, starting with 1966's The Massacre Of St Bartholomew's Eve. On
January 6th, 1964 there was a suggestion that Doctor Who's
associate producer, Mervyn Pinfield, might replace her. The following
day, it was instead agreed that Richard Martin -- who had directed some
episodes of the preceding story, The Daleks
-- would take over. Subsequently, it was realised that Martin would not
be available to handle the second episode. This installment was ultimately
allocated to Frank Cox, another of the BBC's junior directors.
As recording approached, small changes were made to the adventure's
climax. Originally, the two schoolteachers shared the deduction that the
TARDIS was trying to communicate with its passengers, but now Barbara
came to this realisation on her own. The resolution to the crisis was
made more exciting; Whitaker's script had simply described the Doctor
flipping the setting on the Fast Return Switch.
Requiring no pre-filming, nor indeed any supporting cast, Inside The
Spaceship went before the cameras on two consecutive Fridays --
January 17th and 24th -- at Lime Grove Studio D in Shepherd's Bush,
London.
- Doctor Who Magazine #276, 7th April 1999, “Archive:
Inside The Spaceship” by Andrew Pixley, Panini UK Ltd.
- Doctor Who Magazine Special Edition #7, 12th May 2004,
“Do You Want To Know A Secret?” by Andrew Pixley, Panini
Publishing Ltd.
- Doctor Who: The Complete History #2, 2016, “Story 3:
Inside The Spaceship”, edited by John Ainsworth, Hachette
Partworks Ltd.
- Doctor Who: The Handbook: The First Doctor by David J Howe,
Mark Stammers and Stephen James Walker (1994), Virgin Publishing.
- Doctor Who: The Sixties by David J Howe, Mark Stammers and
Stephen James Walker (1992), Virgin Publishing.
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Original Transmission
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|
1: The Edge Of Destruction |
Date |
8th Feb 1964 |
Time |
5.15pm |
Duration |
25'04" |
Viewers (more) |
10.4m (21st) |
Appreciation |
61% |
2: The Brink Of Disaster |
Date |
15th Feb 1964 |
Time |
5.17pm |
Duration |
22'11" |
Viewers (more) |
9.9m (31st) |
Appreciation |
60% |
Cast
Dr Who |
William Hartnell (bio) |
Ian Chesterton |
William Russell (bio) |
Barbara Wright |
Jacqueline Hill (bio) |
Susan Foreman |
Carole Ann Ford (bio) |
Crew
Written by |
David Whitaker (bio) |
Directed by |
Richard Martin (bio) (episode 1) |
Frank Cox (bio) (episode 2) |
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Title music by |
Ron Grainer |
BBC Radiophonic Workshop |
Designer |
Raymond Cusick |
Associate Producer |
Mervyn Pinfield (bio) |
Producer |
Verity Lambert (bio) |
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