| The Red Fort |
|
 |
|
| Writer: Terry Nation |
|
Notes: The scripts were commissioned
on September 24th, 1963. It appears that Nation, who had not particularly
enjoyed writing The Daleks, did little
work on “The Red Fort”, and may have even forgotten about it
entirely. “The Red Fort” was intended to be the eighth story
of Season One (then pushed back to ninth when Inside The Spaceship was added to the
schedule in November), but was dropped altogether on January 21st, 1964.
At this time, Nation was asked to write The
Keys Of Marinus instead.
|
| Characters: The First Doctor,
Susan, Ian, Barbara |
| Episodes: 7 |
| Planned For: Season
One |
| Stage Reached: Storyline,
possibly partial script |
| Synopsis: The time travellers become
embroiled in the Indian Mutiny of 1857, when Indian troops rose up against
the colonial officers of the British East India Company. Presumably, the
assault on the Red Fort -- a Moghul palace in Delhi -- on May 11th, 1857,
would have featured prominently.
|
|
| References: Doctor Who
Magazine #310, Doctor Who: The Handbook: The First Doctor |
| The Return Of The Neanderthal |
|
 |
|
| Writer: Roger Dixon |
|
Notes: Dixon submitted this storyline
on January 16th, 1967; the use of Polly without Ben was reflective of the
fact that the pair would shortly be replaced by a single, as-yet-unknown
female companion.
|
| Characters: The Second Doctor,
Jamie, Polly |
| Episodes: Unknown |
| Planned For: Season
Five |
| Stage Reached:
Storyline |
| Synopsis: The TARDIS lands on the planet
Terunda, where the Doctor learns that the highly-advanced Terundans have
nurtured a Neanderthal culture. Some of the Neanderthals now wish to
return to Earth, and the Terundans ask for the Doctor's help to facilitate
this. The Doctor is reluctant because the Neanderthals are telepathic and
he is suspicious of their motives, but the Terundans assure him that the
Neanderthals are conditioned such that they will all die should any one of
them commit an act of violence. However, once arriving on an island on
2016 Earth, the Neanderthals reveal that they intend to use their
telepathy to force the humans to do their dirty work for them. They take
over the island, and only the Doctor and his companions -- shielded from
the Neanderthal telepathy thanks to Terundan technology -- are safe. They
are cornered on a cliff edge by the Neanderthals, but one of the
Neanderthals has been befriended by Jamie. She is injured trying to save
them and, in a fit of rage, shoots her leader. This triggers the Terundan
conditioning, and all the Neanderthals die. |
|
| References: Doctor Who
Magazine Special Edition #4, The Doctor Who Chronicles: Season
Five |
| Return To Sukannan |
|
 |
|
| Writer: Terry Nation |
|
Notes: Nation was contracted to
provide the storyline for “Return To Sukannan” on February
13th, 1975. It was not taken further, and was presumably dropped when it
was decided that Nation should expand The
Android Invasion into full scripts.
|
| Characters: The Fourth Doctor,
Sarah Jane |
| Episodes: Unknown |
| Planned For: Season
Thirteen |
| Stage Reached:
Storyline |
| Synopsis: Unknown
|
|
| References: Doctor Who
Magazine Special Edition #8 |
| The Rogue TARDIS |
|
 |
|
| Writer: Barbara Clegg |
|
Notes: Clegg submitted this idea in
late 1982 after completing Enlightenment, but it was not pursued.
|
| Characters: The Fifth
Doctor |
| Episodes: Unknown |
| Planned For: Season
Twenty-One |
| Stage Reached:
Storyline |
| Synopsis: The Time Lords ask the Doctor
to find a missing Time Lord named Ajon. Locating Ajon's TARDIS, the
Doctor discovers it transformed into a nightmare world where cause
follows effect. Eventually, it emerges that Ajon is half-human and, in
response to the suppression of his human characteristics, has
regenerated into a computer which is corrupting his TARDIS. The Doctor
induces Ajon to regenerate again, ending the terror.
|
|
| References: Doctor Who
Magazine #267, DWM Special Edition #3 |
| Romanoids |
|
 |
|
 |
|
| Writer: Geoff Lowe |
|
Notes: Lowe offered this idea to
script editor Christopher H Bidmead around the summer of 1980. On
December 9th, Bidmead submitted the proposal to producer John
Nathan-Turner for his consideration, but it was not developed further.
(It is not known if the development of “Romanoids” took into
account Tom Baker's decision to leave Doctor Who at the end of
Season Eighteen.)
|
| Characters: The Fourth Doctor
or the Fifth Doctor |
| Episodes: Unknown |
| Planned For: Season
Nineteen |
| Stage Reached:
Storyline |
| Synopsis: Unknown
|
|
| References: Doctor
Who: The Eighties |
| The Rosemariners |
|
 |
| aka The Rosicrutians |
|
| Writer: Donald Tosh |
|
Notes: Tosh, Doctor Who's
former story editor, submitted the storyline for “The
Rosicrutians” around March 1968. The idea came from research he was
doing while planning his own rose garden, while the title was a variant of
Rosicrucian, a secret religious society which flourished in the
seventeenth century. Many of Tosh's character names were derived from
rose-related terminology, such as Rugosa (from rosa rugosa, an
oriental type of rose). After turning in his storyline, Tosh continued to
work on a draft script of episode one -- with the title changing slightly
to “The Rosemariners” -- but became busy on other work and did
not maintain contact with the Doctor Who production team. By the
time he was able to make significant progress on the story, it was already
known that Patrick Troughton would be leaving Doctor Who and that
the programme would be overhauled for Season Seven. Since it would not fit
the new format, “The Rosemariners” was abandoned without ever
being formally commissioned.
|
| Characters: The Second Doctor,
Jamie, Victoria |
| Episodes: 4 |
| Planned For: Season
Six |
| Stage Reached: Script for
episode one |
| Synopsis: The TARDIS materialises on an
Earth space station, which has been virtually abandoned as a result of
subterfuge by Rugosa, leader of the Rosemariners whose spaceship, the
Rosemarinus, is nearby. The Rosemariners are using a venom secreted
by their special roses to brainwash people. It transpires that the
Rosemarinus is actually a prison ship; Rugosa was an inmate who
managed to overthrow the wardens. He now plans an invasion of Earth, but
the Doctor manages to inject Rugosa with the venom, thereby incapacitating
him and returning control of the Rosemarinus to the wardens.
|
|
| References: Doctor
Who Magazine #211, DWM #212, The Doctor Who Chronicles:
Season Six |
| The SCI |
|
 |
|
| Writer: William Emms |
|
Notes: This was offered to the
production office around 1983.
|
| Characters: The Fifth
Doctor, Tegan, Turlough |
| Episodes: 4 |
| Planned For: Season
Twenty-One |
| Stage Reached:
Storyline |
| Synopsis: Involved the people of the
planet Alden falling under mental domination.
|
|
| References: Doctor Who
Magazine Special Edition #3 |
| Sealed Orders |
|
 |
|
| Writer: Christopher Priest |
|
Notes: Priest originally began
devising this idea with script editor Douglas Adams around October 1978.
Little progress was made, but it was revived when Priest was
independently approached by Adams' successor, Christopher H Bidmead, who
was a fan of Priest's novels; they decided to resurrect “Sealed
Orders”. A storyline was commissioned on February 27th, 1980,
followed by full scripts on March 24th. By this time, “Sealed
Orders” was planned to conclude a trilogy of stories set in the
pocket universe of E-Space, and would feature the departures of Romana
and K-9. However, Priest was not accustomed to writing for television,
and it became clear that his scripts were not suitable for production.
Bidmead provided the author with heavily-edited samples as guidance for
what he wanted, but Priest objected to these, and their relationship
deteriorated. Priest stopped working on “Sealed Orders” in
April, and Warriors' Gate took its
place. “Sealed Orders” was formally abandoned in June,
although Bidmead and producer John Nathan-Turner still hoped that it
could be revisited in the future.
|
| Characters: The Fourth Doctor,
Romana, K-9, Adric |
| Episodes: 4 |
| Planned For: Fifth story of
Season Eighteen |
| Stage Reached: Complete
script |
| Synopsis: A political thriller set on
Gallifrey in which the Doctor is seemingly ordered to kill Romana by the
Time Lords. A complex plot involving time paradoxes would result in the
appearance of a second Doctor (who dies) and lead to Romana's departure;
it also involved the idea of time running into itself, resulting in one
TARDIS existing inside another.
|
|
| References: Doctor
Who Magazine #292, DWM #315, DWM Special Edition
#9 |
| The Sea Of Fear |
|
 |
|
| Writer: Brian Hayles |
|
Notes: Hayles submitted this
storyline on March 9th, 1974, after completing work on The Monster Of Peladon.
|
| Characters: The Fourth
Doctor |
| Episodes: Unknown |
| Planned For: Season
Twelve |
| Stage Reached:
Storyline |
| Synopsis: Unknown
|
|
| References: Doctor
Who: The Monster Of Peladon DVD production notes |
| The Secret Of Cassius |
|
 |
|
| Writer: Andrew Smith |
|
Notes: Although “The Secret
Of Cassius” was rejected by script editor Anthony Read in August
1978, Read encouraged Smith to continue writing. Read was unaware that
Smith was a Doctor Who fan in his mid-teens, but this eventually
led to Smith's commission for Full
Circle eighteen months later.
|
| Characters: The Fourth
Doctor |
| Episodes: Unknown |
| Planned For: Season
Seventeen |
| Stage Reached:
Storyline |
| Synopsis: Unknown
|
|
| References: Doctor Who
Magazine Special Edition #9 |
| The Shadow People |
|
 |
|
| Writers: Charlotte and Dennis
Plimmer |
|
Notes: The Plimmers submitted their
storyline to the Doctor Who production office on November 10th, and
it was given serious consideration for the final slot of Season Seven.
However, a subsequent pay dispute with the Plimmers meant that “The
Shadow People” was abandoned shortly thereafter.
|
| Characters: The Third Doctor,
Liz |
| Episodes: 7 |
| Planned For: Final story of
Season Seven |
| Stage Reached:
Storyline |
| Synopsis: Unknown
|
|
| References: Doctor
Who Magazine Special Edition #2 |
| The Shape Of Terror |
|
 |
|
| Writer: Brian Hayles |
|
Notes: This idea was submitted during
the spring of 1971. It was rejected by script editor Terrance Dicks, but
the idea of an Agatha Christie-style mystery was attractive and was
incorporated into The Curse Of
Peladon.
|
| Characters: The Third Doctor,
Jo |
| Episodes: Unknown |
| Planned For: Season
Nine |
| Stage Reached:
Storyline |
| Synopsis: A rescue team led by Commander
Hallett is summoned to research station Pi Delta 6 on the planet Medusa
Centaurus. Hallett arrives to find the station deserted, and his security
officer, Garford, believes it has been attacked by pirates. Indeed, when
the TARDIS brings the Doctor and Jo to Pi Delta 6, Garford accuses them of
being associated with the pirates. In fact, the station has fallen victim
to the Energid, a shapeshifting protoplasmic entity which can absorb
people's brains. The Energid wishes to merge with the Doctor, but when the
Energid attempts the fusion, the Doctor manages to rally the minds of
those whom the Energid had previously consumed, and the creature is
destroyed.
|
|
| References: Doctor Who
Magazine #219 |
| Shield Of Zarak |
|
 |
| aka The Doppelgangers, Shield Of Zareg |
|
| Writer: Ted Lewis |
|
Notes: Lewis, whose novel Jack's
Return Home was filmed as the 1971 Michael Caine hit Get
Carter, had worked with Doctor Who producer Graham Williams
on Z Cars. Williams was eager to bring Lewis onto Doctor
Who, and so “The Doppelgangers” was commissioned in
storyline form on January 7th, 1978, and as full scripts as
“Shield Of Zarak” on February 24th. However, Lewis was not
well-acquainted with Doctor Who, and as his scripts began to
arrive in late April, it was clear that they needed work. Sadly, Lewis
had begun a descent into alcoholism amidst marital difficulties, and was
drunk when he met with Williams and script editor Anthony Read to
discuss “Shield Of Zarak” (which may also have gone by
“Shield Of Zareg”). By the middle of May, the serial had
been abandoned, and was ultimately replaced by The Androids Of Tara; it was formally
rejected on January 11th, 1979. Lewis never worked for the BBC again.
|
| Characters: The Fourth Doctor,
Romana, K-9 |
| Episodes: 4 |
| Planned For: Fourth story of
Season Sixteen |
| Stage Reached: Partial
script |
| Synopsis: Dealt with the notion that
legendary heroes might, in reality, have been the antithesis of the way
history would ultimately portray them. Apparently, the specific example
planned was to have the Doctor and Romana encounter Robin Hood in their
search for the fourth segment of the Key To Time, only to discover that
the alleged hero was actually a blackhearted villain.
|
|
| References: Doctor
Who Magazine Special Edition #9 |
| The Silent Scream |
|
 |
|
| Writer: Chris Boucher |
|
Notes: This was an unsolicted
submission made by Boucher to the production office in early 1975. It
was not felt to be suitable for Doctor Who, but encouraged
producer Philip Hinchcliffe and script editor Robert Holmes to work with
Boucher on further ideas.
|
| Characters: Presumably the
Fourth Doctor |
| Episodes: Unknown |
| Planned For: Season
Thirteen |
| Stage Reached:
Story idea |
| Synopsis: Unknown
|
|
| References: Doctor Who
Magazine Special Edition #8 |
| The Six Doctors |
|
 |
|
| Writer: Robert Holmes |
|
Notes: Holmes' involvement in
Doctor Who's twentieth-anniversary special was encouraged by
script editor Eric Saward, despite producer John Nathan-Turner's
preference to avoid using writers associated with the programme's past.
Holmes was skeptical that a good story could be written which would
involve all five Doctors, plus their companions, as well as the Master
and the Cybermen, but agreed to develop a suitable storyline,
commissioned on August 2nd, 1982. He came up with three ideas, the first
of which he was told to develop as “The Six Doctors”. (The
cyborg element in this version was introduced to account for the absence
of William Hartnell, the First Doctor, who had died in 1975.) One of
Holmes' alternatives followed the same basic plot, but saw the
Cybermen's surgeries cause the Fifth Doctor to regress back through his
past incarnations; Holmes was dubious about including other companions
in this scenario. A second, less well-formed idea, involved the TARDIS
itself conjuring images of former Doctors and companions to help the
current Doctor battle an ancient supercomputer (Holmes was unsure how to
involve the Cybermen in this version). By the autumn, however, it
became clear to Saward that Holmes was making little headway with
“The Six Doctors”, and asked former script editor Terrance
Dicks to prepare a back-up storyline. Holmes formally withdrew from the
anniversary special on October 13th, although his renewed contact with
the production office did lead to a commission for Season Twenty-One's
The Caves Of Androzani. Elements of
his ideas for “The Six Doctors” were later reused in Season
Twenty-Two's The Two Doctors.
|
| Characters: The Fifth Doctor,
the Fourth Doctor, the Third Doctor, the Second Doctor, Tegan, Jamie,
Susan |
| Episodes: 1 (90
minutes) |
| Planned For: Between Seasons
Twenty and Twenty-One |
| Stage Reached:
Partial script |
| Synopsis: The Second, Third, Fourth, and
Fifth Doctors (with their companions, including Jamie and Tegan) are
drawn to the planet Maladoom, where they meet the First Doctor and
Susan. They are trapped by the Master, who is working for the Cybermen.
The Cybermen want to isolate the genetic component which permits Time
Lords to travel freely in time and space; they will incorporate this
factor into their own biology and conquer the time vortex. The Doctors
manage to escape, but the First Doctor and Susan are really cyborgs
created by the Cybermen. The other Doctors manage to destroy the
duplicates and discover that it is the Master's TARDIS which has brought
them to Maladoom. It is now operating out of control and threatens the
universe, but the Doctors are able to deactivate it and return to their
proper places in the timeline.
|
|
| References: Doctor
Who Magazine #313, Doctor Who: The Handbook: The Fifth
Doctor |
| The Sleepwalkers |
|
 |
|
| Writer: Roger Dixon |
|
Notes: Dixon submitted this storyline
on January 16th, 1967; the use of Polly without Ben was reflective of the
fact that the pair would shortly be replaced by a single, as-yet-unknown
female companion.
|
| Characters: The Second Doctor,
Jamie, Polly |
| Episodes: 6 |
| Planned For: Season
Five |
| Stage Reached:
Storyline |
| Synopsis: The TARDIS lands on far-future
Earth, where a great conflict has reduced the world's populace to only a
few hundred, living in isolated communities ignorant of each others'
existence. One such community is made up of quarrelling Elders and young
people who are dependent upon robots for their subsistence; however, these
robots have recently stopped functioning. The Doctor realises that the
robots are powered by hydroelectricity, and uses a fire and some silver
iodine powder to bring about a rainstorm. This solves the problem, but
also attracts the attention of another community, whose more warlike
denizens attack. The Doctor is finally forced to modify some robots for
use as weapons. Pacified, the attackers soon agree to work together with
the Elders and their younger counterparts. However, before the Doctor can
deactivate all the modified robots, two of them manage to construct a
primitive TARDIS and escape.
|
|
| References: Doctor Who
Magazine Special Edition #4, The Doctor Who Chronicles: Season
Five |
| The Slide |
|
 |
|
| Writer: Victor Pemberton |
|
Notes: Pemberton's storyline was
rejected on September 24th, 1964, by story editor David Whitaker, who felt
that “The Slide” was a “stewpot” of earlier
Doctor Who science-fiction ideas with a hint of Nigel Kneale's
Quatermass serials. However, Pemberton had also submitted a version
of “The Slide” to BBC Radio on August 17th; this audio
treatment saw the Doctor replaced by Chilean seismologist Professor Joseph
Gomez. This seven-part version of “The Slide” was transmitted
weekly on the BBC Light Programme beginning on February 13th, 1966. The
following year, Pemberton adapted “The Slide” as the Doctor
Who adventure Fury From The Deep.
|
| Characters: The First Doctor,
Susan, Ian Barbara |
| Episodes: Unknown |
| Planned For: Season
Two |
| Stage Reached:
Storyline |
| Synopsis: A sentient form of mud emerges
from a fissure and begins to take over the minds of British townsfolk.
|
|
| References: Doctor Who
Magazine #277, Doctor Who: The Handbook: The First Doctor |
| Soldar And The Plastoids |
|
 |
|
| Writer: John Bennett |
|
Notes: Bennett's storyline was
commissioned on April 10th, 1980. It may have been intended for Season
Nineteen only; at this point, Tom Baker had not yet decided to leave
Doctor Who.
|
| Characters: The Fourth
Doctor |
| Episodes: 4 |
| Planned For: Season
Nineteen (possibly also Season Eighteen) |
| Stage Reached:
Storyline |
| Synopsis: Unknown
|
|
| References: Doctor
Who: The Eighties |
| The Son Of Doctor Who |
|
 |
|
| Writer: None (originated by William
Hartnell) |
|
Notes: Hartnell was interested in
playing characters other than the Doctor in Doctor Who. As a
mechanism for achieving this, he suggested that he could also play the
Doctor's son, who would be an adversary for the Doctor. This does not
appear to have been seriously pursued.
|
| Characters: The First
Doctor |
| Episodes: Unknown |
| Planned For: Presumably Seasons
Two or Three |
| Stage Reached: Story
idea |
| Synopsis: The Doctor encounters his evil
time-travelling son, to whom he bears an uncanny physical resemblance.
|
|
| References: Doctor Who
Magazine #233 |
| The Song Of The Space Whale |
|
 |
|
 |
|
 |
|
| Writers: Pat Mills and John
Wagner |
|
Notes: Mills and Wagner were
writing comics for Doctor Who Weekly when they devised this
concept. Mills' wife, Angie, felt that it was too good for the comic,
and should be offered to the Doctor Who production team instead.
Although Wagner was skeptical, it was submitted in late 1980, alongside
three other ideas Mills had conceived. The storyline was commissioned on
September 9th, 1981 under the title “Space-Whale” (which saw
the Fourth Doctor replaced by the Fifth), followed by the full scripts
on December 2nd as “The Song Of The Space Whale”. Around
this time, Wagner decided that he was not interested in remaining on the
project, and Mills forged ahead alone. It was decided that “The
Song Of The Space Whale” would be the introductory story for new
companion Turlough. He replaced Rina's original boyfriend, John, and
would now leave with the Doctor instead of Rina because he claims that
space travel is in his blood. Soon thereafter, however, the scripts ran
into problems when script editor Eric Saward objected to Mills'
working-class depiction of Greeg, and his portrayal of the castaways as
a colony of mystics. The writer was unable to develop an alternative
which was acceptable to Saward, and so “The Song Of The Space
Whale” was replaced by Mawdryn
Undead. Mills and Saward continued to work on the scripts -- now
simply called “The Space Whale” -- and Mills eventually
replacing the castaways with a marooned family. The Sixth Doctor and
Peri became the main characters, and the scripts were rewritten as two
forty-five minute episodes in accordance with the new format for Season
Twenty-Two. Saward continued to have misgivings about the serial,
however, and around the middle of May 1984, “The Space
Whale” was replaced in the schedule by Vengeance On Varos. It appears that further
development of Mills' scripts was undertaken, but they were finally
abandoned around July 1985. Mills later wrote an audio adaptation of his
story, released as Song Of The Megaptera by Big Finish
Productions in 2010.
|
| Characters: The Fourth Doctor
(original submission); the Fifth Doctor, Nyssa, Tegan (revised version);
the Fifth Doctor, Nyssa, Tegan, Turlough (second revision); the Sixth
Doctor, Peri (third revision) |
| Episodes: 4 (2 45-minute
episodes, third revision) |
| Planned For: Third story of
Season Twenty; second story of Season Twenty-Two |
| Stage Reached: Complete
script |
| Synopsis: The TARDIS is captured by
Captain Greeg of the spaceship Orkas when the Doctor interferes
with his attempts to hunt a massive Ghaleen -- a “space
whale” with the ability to travel in time. Also on the
Orkas are Krakos, an alien Tuthon who wants to steal the orb
which powers the Ghaleen's time travel, and Rina, who believes that a
community of castaways is living in the belly of the Ghaleen, and who
has stowed away aboard Greeg's vessel in the hope of rescuing them. In
fact, the castaways have constructed a “raft-ship” which
would permit them to escape, but their leader, Waldron, has not
disclosed the fact that the device works, because he believes that by
remaining within the Ghaleen, they are living a life safe from the
outside universe. Krakos succeeds in seizing the orb, however, causing
temporal energy -- which induces “time necrosis” -- to flood
out of the Ghaleen. The Doctor uses the raft-ship to reverse the damage,
and Krakos is killed trying to escape the Ghaleen's belly. The castaways
are rescued, but Waldron has been inside the Ghaleen for so long that
when he attempts to leave, he dies of time necrosis. Greeg is overthrown
by his second-in-command, Stennar, and the Ghaleen is allowed to return
to its pod.
|
|
Buy: Canada
· UK
|
|
| References: Doctor
Who Magazine #s 228, 229, DWM Special Edition #s 1, 3, 9,
Doctor Who: The Eighties |
| Space Sargasso |
|
 |
|
| Writer: Philip Martin |
|
Notes: Martin submitted this idea
on December 28th, 1983, while awaiting feedback on Season Twenty-Two's
Vengeance On Varos. On March 9th,
1984, script editor Eric Saward noted that more development would be
needed before he could properly assess “Space Sargasso”; the
notion was not pursued further.
|
| Characters: The Sixth Doctor,
Peri |
| Episodes: Unknown |
| Planned For: Season
Twenty-Three |
| Stage Reached: Story
idea |
| Synopsis: The TARDIS is drawn to an area
of space filled with wrecked ships. A creature called the Engineer, who
is in thrall to the Master, is using parts from the vessels to construct
an immense warship.
|
|
| References: Doctor
Who Magazine #309 |
| Space Station |
|
 |
|
| Writer: Christopher Langley |
|
Notes: Langley's storyline was
submitted on December 30th, 1973, and he was commissioned on January 24th,
1974. Season Twelve was largely constructed around “Space
Station”, with Revenge Of The
Cybermen designed to use the same sets and The Sontaran Experiment intended to
continue the story thread of Earth's abandonment by humanity. “Space
Station” and The Sontaran
Experiment would also have been made as essentially one large
recording block -- since the former was entirely confined to the studio
and the latter would be made only on location -- sharing the same director
and crew. Around late May, however, it was clear that Langley's scripts
were unacceptable, and the decision was made to replace “Space
Station” with The Ark In Space.
“Space Station” was officially dropped on June 17th.
|
| Characters: The Fourth Doctor,
Sarah Jane, Harry |
| Episodes: 4 |
| Planned For: Second story of
Season Twelve |
| Stage Reached: Complete
script |
| Synopsis: Apparently set on a far-future
space station during a period when mankind is no longer living on Earth.
|
|
| References: Doctor
Who Magazine Special Edition #8 |
| The Space War |
|
 |
| aka The Furies |
|
| Writer: Ian Stuart Black |
|
Notes: Nearly four years after The Macra Terror, his last contribution
to Doctor Who, Black was commissioned to write a storyline entitled
“The Space War” (later changed to “The Furies”) on
November 9th. Although Black delivered this toward the end of the month,
it did not proceed to script form.
|
| Characters: The Third
Doctor |
| Episodes: 6 |
| Planned For: Season
Eight |
| Stage Reached:
Storyline |
| Synopsis: Unknown
|
|
| References: Doctor Who
Magazine #308, DWM Special Edition #2 |
| The Spare-Part People |
|
 |
| aka The Brain Drain, The Labyrinth |
|
| Writer: Jon Pertwee and Reed de
Rouen |
|
Notes: Submitted around the summer of
1970, it does not appear that the storyline was seriously considered by
the production team.
|
| Characters: The Third
Doctor |
| Episodes: 7 |
| Planned For: Season
Eight |
| Stage Reached:
Storyline |
| Synopsis: The Doctor poses as Cambridge don
Dr John Madden to investigate a spate of celebrity disappearances. He is
kidnapped by mummy-like beings who take him to Antarctica, where a hidden
civilisation exists. There the Doctor participates in brutal games and
combats a monster which dwells in a labyrinth.
|
|
| References: Doctor Who
Magazine Special Edition #2 |
| The Suicide Exhibition |
|
 |
|
| Writer: Mark Gatiss |
|
Notes: Gatiss began working on this
script around the start of 2006, at which point it was sent during World
War I. By early 2007, the setting had been shifted to the Second World
War and “The Suicide Exhibition” was intended to be the
third episode of Doctor Who's 2008 season. Some thought was given
to filming in the Natural History Museum itself, but executive producer
Russell T Davies gradually became concerned about revisiting the World
War II period so soon after it was showcased in 2005's The Empty Child / The Doctor
Dances. Furthermore, Davies was becoming excited by the
possibility of setting an adventure around the eruption of Mount
Vesuvius in AD 79. Finally, near the end of April 2007, it was decided
to replace “The Suicide Exhibition” with The Fires Of Pompeii. Later that
summer, scripting problems on this episode and Partners In Crime led Davies to
consider abandoning The Fires Of
Pompeii and reinstating Gatiss' script, but this did not come to
pass.
|
| Characters: The Tenth Doctor,
Donna |
| Episodes: 1
(45-minute) |
| Planned For: Third episode of
Season Thirty |
| Stage Reached: Complete
script |
| Synopsis: During the Second World War, a
Nazi task force assaults the Natural History Museum in London, which has
been overrun by monsters. Later action would have involved the discovery
of a secret chamber beneath the museum.
|
|
| References: Doctor
Who: The Writer's Tale, Doctor Who Magazine #431, DWM
Special Edition #26 |
| The Tearing Of The Veil |
|
 |
|
| Writer: Alan Drury |
|
Notes: Drury was commissioned by
script editor Douglas Adams on April 2nd, 1979. He delivered his first
two scripts in early May, at which point it was decided that “The
Tearing Of The Veil” was not working out. Nonetheless, Adams
continued to discuss the story with Drury over the summer, and by
September 19th an acceptable draft had been completed. “The
Tearing Of The Veil” was then passed to Adams' successor,
Christopher H Bidmead, for possible use in Season Eighteen. However,
Bidmead disliked the whimsical science-fiction favoured by Adams, and
since Drury's story was in line with this approach, it was discarded by
the new production team.
|
| Characters: The Fourth Doctor,
Romana, K-9 |
| Episodes: 4 |
| Planned For: Seasons Seventeen
and Eighteen |
| Stage Reached: Complete
script |
| Synopsis: An evil force pursues the
TARDIS to a Victorian vicarage, where the vicar's widow is being
defrauded by phoney spiritualists. As supernatural phenomena grip the
vicarage, the con artists are killed off one by one. Even K-9 is
apparently torn apart by a poltergeist, while much of the Doctor's life
force is drained from him, turning him into a disinterested crank
wandering about in his nightgown.
|
|
| References: Doctor
Who Magazine #292, DWM Special Edition #9 |
| The Torson Triumvirate |
|
 |
|
| Writer: Andrew Smith |
|
Notes: Smith, who had recently
completed Full Circle, was
commissioned to provide a storyline on November 25th, 1980. This was
submitted on December 9th and was still being considered in April 1981,
but was ultimately not pursued.
|
| Characters: The Fifth Doctor,
Adric, Nyssa, Tegan |
| Episodes: 4 |
| Planned For: Season
Nineteen |
| Stage Reached:
Storyline |
| Synopsis: Set on present-day Earth.
|
|
| References: Doctor
Who Magazine #432, DWM Special Edition #9 |
| Twin World |
|
 |
|
| Writer: Roger Dixon |
|
Notes: This idea was submitted on
January 16th, 1967.
|
| Characters: The Second
Doctor |
| Episodes: Unknown |
| Planned For: Season
Five |
| Stage Reached: Story
idea |
| Synopsis: On a planet in a binary star
system, every birth produces twins who are the polar opposites of one
another. The power of the ruling twins is governed by the prominence in
the sky of the planet's two suns. As the Doctor arrives, the sun related
to the evil twin is about to enter a prolonged period of ascendancy, and
the good people of the world fear that by the time this period ends, their
planet may be doomed. The Doctor saves the day with the use of a simple
invention.
|
|
| References: Doctor Who
Magazine Special Edition #4, The Doctor Who Chronicles: Season
Five |
| The Underworld |
|
 |
|
| Writer: Barbara Clegg |
|
Notes: Clegg submitted this idea in
late 1982 after completing Enlightenment, but it was not pursued.
Several elements of the storyline were inspired by Greek mythology. The
Hadeans were a reference to Hades, the name of both the Greek Underworld
and the god who ruled it. Styx was the river which formed the boundary
between Earth and Hades. Orfeo and Erdiss were analogues for Orpheus and
Eurydice; in legend, Eurydice dies of a snakebite, and her husband
Orpheus travels to Hades to bring her back (albeit unsuccessfully).
Herm's name was derived from the god Hermes, one of whose roles was to
guide lost souls to Hades. Charon, the ferryman who transports the newly
dead across the Styx, became the bargeman Kairon, an accomplice of Herm.
A Hadean digging machine was inspired by Cerberus, the three-headed dog
who guards the gates to Hades and prevents those who have travelled down
the Styx from escaping.
|
| Characters: The Fifth
Doctor |
| Episodes: Unknown |
| Planned For: Season
Twenty-One |
| Stage Reached:
Storyline |
| Synopsis: In Ancient Greece, the Doctor
learns that many young women have recently perished from snake bites.
Instead of having them buried, however, a medicine man named Herm has
encouraged the population to send their bodies by barge down the river
Styx. With the help of a musician named Orfeo whose girlfriend, Erdiss,
is one of the victims, the Doctor convinces Herm to confess the truth:
the girls are not dead but have been drugged, and have been conveyed to
a hidden underground city. There, the Doctor confronts aliens called the
Hadeans, who have been kidnapping women because their own female
population has been made infertile. The Doctor counsels the Hadeans on a
genetic solution to their problem.
|
|
| References: Doctor Who
Magazine #267, DWM Special Edition #3 |
| Valley Of Shadows |
|
 |
|
| Writer: Philip Martin |
|
Notes: Martin submitted this idea
on December 28th, 1983, while awaiting feedback on Season Twenty-Two's
Vengeance On Varos. On March 9th,
1984, script editor Eric Saward noted that more development would be
needed before he could properly assess “Valley Of Shadows”;
the notion was not pursued further.
|
| Characters: The Sixth Doctor,
Peri |
| Episodes: Unknown |
| Planned For: Season
Twenty-Three |
| Stage Reached: Story
idea |
| Synopsis: While visiting an excavation in
Egypt, Peri is seemingly crushed to death. To save her, the Doctor
embarks on a journey to the Egyptian underworld. He finds himself in
ancient Egypt, where the Pharoah Akhenaton rules with the aid of alien
power.
|
|
| References: Doctor
Who Magazine #309 |
| Valley Of The Lost |
|
 |
|
| Writer: Philip Hinchcliffe |
|
Notes: Hinchcliffe submitted
“Valley Of The Lost” around November 1978. It was rejected
on January 3rd, 1979, both on the grounds of cost and because other
stories under consideration at the same time (including The Armageddon Factor and “Child
Prodigy”) also dealt with frozen-time concepts.
|
| Characters: The Fourth
Doctor, Romana |
| Episodes: Unknown |
| Planned For: Season
Seventeen |
| Stage Reached:
Storyline |
| Synopsis: The Doctor and Romana travel to
the jungles of Brazil, where they come upon a Luron scout ship which
crashlanded in 1870. The vessel emits a bubble of time which has kept
the surroundings preserved as they were then -- including a lost city of
gold, inhabited by Maygor savages who worship the only Luron survivor,
Godrin, as their deity. Godrin convinces the Doctor to bring him to
London, but once there uses modern technology to send a signal to the
Luron fleet to commence an invasion of Earth. The Doctor and Romana
manage to infiltrate the Luron mothership and take control of its power
source. Faced with destruction, the Lurons agree to abandon their
invasion. |
|
| References: Doctor
Who Yearbook 1996, Doctor Who Magazine Special Edition
#9 |
| Volvok |
|
 |
| aka Strange Encounter |
|
| Writer: Ian Marter |
|
Notes: Marter had played companion
Harry Sullivan during Season Twelve, and had also written several
Doctor Who novelisations for Target Books. On February 2nd, 1984,
he was commissioned to write a storyline for “Strange
Encounter”. A script for the first episode was later commissioned
under the title “Volvok”, but the adventure was ultimately
dropped.
|
| Characters: Presumably the
Sixth Doctor, Peri |
| Episodes: 2
(45-minute) |
| Planned For: Season
Twenty-Two |
| Stage Reached: Script for
episode one |
| Synopsis: Apparently involved hospital
overcrowding.
|
|
| References: Doctor
Who: The Eighties, Doctor Who Magazine Special Edition
#3 |
| Warmongers |
|
 |
|
| Writers: Marc Platt and Jeremy
Bentham |
|
Notes: Platt and Bentham submitted
this unsolicited idea during 1983. Both were longtime Doctor Who
fans; Bentham, who used the pseudonym “Charles M Stevens”,
was a cofounder of the Doctor Who Appreciation Society.
“Warmongers” was rejected, but Platt later wrote Ghost Light for Season Twenty-Six.
|
| Characters: The Fifth
Doctor |
| Episodes: Unknown |
| Planned For: Season
Twenty-One |
| Stage Reached:
Story idea |
| Synopsis: The Sontarans and the Rutans
battle each other in England during the Blitz. |
|
| References: Doctor
Who Magazine Special Edition #3 |
| Way Down Yonder |
|
 |
|
| Writer: Lesley Elizabeth
Thomas |
|
Notes: Nathan-Turner was inspired
to develop a serial which could be partly filmed in the United States
after vacationing in New Orleans during February 1981. Thomas, an
American writer living in the UK, was commissioned to prepare a
storyline on April 23rd, 1981. This would have included filming in the
southern US, but Nathan-Turner and script editor Eric Saward felt that
Thomas' idea did not work as a Doctor Who concept, and “Way
Down Yonder” was abandoned sometime after November 1981.
|
| Characters: The Fifth Doctor,
presumably with Nyssa and Tegan |
| Episodes: 4 |
| Planned For: Season
Twenty |
| Stage Reached:
Storyline |
| Synopsis: Unknown |
|
| References: Doctor
Who: The Eighties, Doctor Who Magazine Special Edition
#s 1, 3 |
| The White Witch |
|
 |
|
| Writer: Brian Hayles |
|
Notes: Hayles was commissioned to
write a storyline for “The White Witch” on November 16th,
1965. It was abandoned on January 17th, 1966 because departing story
editor Donald Tosh felt that it did not fit the vision espoused by the
incoming production team of Innes Lloyd and Gerry Davis.
|
| Characters: The First Doctor,
Steven, Dodo |
| Episodes: Unknown |
| Planned For: Season
Three |
| Stage Reached:
Storyline |
| Synopsis: Unknown |
|
| References: Doctor Who
Magazine #196, Doctor Who: The Handbook: The First Doctor |
| The Zeldan |
|
 |
|
| Writer: William Emms |
|
Notes: This was offered to the
production office around 1983.
|
| Characters: The Fifth
Doctor, Tegan, Turlough |
| Episodes: 4 |
| Planned For: Season
Twenty-One |
| Stage Reached:
Storyline |
| Synopsis: Unknown
|
|
| References: Doctor Who
Magazine Special Edition #3 |
|